Secrets of life in a Greek village

Part of the lovely plateia in Makrinitsa village, Pelion

NOT all Greek villages are created equally. Two villages can be several miles apart, with roughly the same background and geographical aspect, yet one will be thriving, with a plateia rimmed by busy cafes and tavernas, while the other is on the slide. Sometimes there’s no explanation apart from something that’s now lost in the natural twists of history.

When I was in the mainland region of Pelion last year I was strongly reminded of this fact and also how fiercely loyal and competitive Greeks are about their own village, no matter what shape it’s in. Jim and I had rented a villa in the south of the Pelion peninsula for a month. It was on the edge of a small village, which was quiet, with not many inhabitants apparently, but with gorgeous views down to the Pagasitikos gulf and well placed to access both this side of the peninsula and the other, on the Aegean. As people who don’t like touristy locations in Greece, we thought we’d done pretty well to find a comfortable house in this location.

View from the village of Metochi towards the gulf 

Yet, while browsing in an old-fashioned souvenir shop in the coastal village of Milina, the black-clad owner of a venerable age asked us where we were staying. I told her Metochi, in the foothills behind. She pulled a great lemony face. “Metochi! Why would you want to stay there? There’s nothing there. Nothing but old houses. Pah! Here is better,” she said, waving towards the vista of crowded tavernas and sun loungers along the beachfront.

I laughed at her put-down of Metochi for being the poor relation to the buzzy, thriving Milina. In her mind Metochi fell into the second category of villages dwindling into oblivion. There are a number of run-down and abandoned houses in the centre of Metochi, that’s true, and it wasn’t hoaching with people, in September anyway. On the surface it was just a village on the way to somewhere else as it’s on the ‘main’ road from the popular town of Argalasti to the bigger village of Lafkos and then to the south of the peninsula. Lafkos is elegant with a large church and wide plateia (square) with classical houses and busy tavernas and cafes.

The elegant plateia in Lafkos village

Makrinitsa in the Pelion mountains is one of the most picturesque in Greece

The plateia is usually the hub of a Greek village and always a good indication as to whether the place is thriving or not, and it’s worth flagging this up when you’re in the market to buy a house in Greece. Some of the more remarkable villages in the Pelion mountains further north have sumptuous plateias, like Makrinitsa, set under huge plane trees and with a view down to the city of Volos. But Makrinitsa is well established with a stronger foothold in the region’s history. It has old churches with frescos and an impressive museum. This village has been the haunt of artists, writers and revolutionaries. Milies and Tsagarada are smaller mountain villages yet they too have obvious treasures. Milies has a public library with one of the largest collections of Greek and foreign books in Greece, with some of them dating to the 14th century. Its church of the Taxiarchon is also world famous for its acoustics. Tsagarada has a 1,000 year old plane tree in its beautiful plateia.

The surviving kafeneio in Metochi has rustic charm and doubles as a shop 

A slightly forlorn sign on the plane tree in Metochi says: “Our village square.”

Metochi’s plateia was a ghost plateia during the day at least. It was large enough and well situated, high above the road under plane trees with incredible gulf views, and perfect to catch a cool afternoon breeze in summer. It must have been lovely once, with a traditional kafeneio on the far side, now closed, and a smaller one beside it, still operating for limited hours and serving also as a general store. The only time we saw people in the plateia was at night, men mostly, drinking beer and playing the board game, tavli.

At the top of the steps was a sign fixed to a plane tree saying: “Our village plateia”, which was a touching and yet forlorn message. Such as it was, many people obviously still took great pride in their plateia. But its semi-abandonment speaks of a village having lost its way somewhat, apart from some modern, yet discreet, holiday villas at its outskirts, surrounded by olive groves, where we were staying.

The deserted grill house in the village that is a quiet reminder of more convivial days in Metochi

The village had obviously had a different life once. At one end of it there’s a natural spring, spouting cool sweet water, where people still stop to fill up bottles. Across the road from the spring, there’s an abandoned psistaria (grill house) with its huge barbecue still visible at the front, for spit-roasting meat. The broad terrace here would once have been packed, especially on important feast days, but is now just an empty space where fallen leaves twirl in the wind and people park to fill up their bottles across the way.

This is a reflection of what’s happening everywhere in rural Greece, in hillside locations. In the Mani we found many villages that were beautifully sited with once-lovely stone houses that now seemed dead. In one village we found an abandoned kafeneio, its door hanging open and a collection of old junk and furniture piled up inside and old bottles and dusty glasses still on the wooden counter. It was as if the owners had hurriedly disappeared and left everything as it was. In another village we found a group of old people sitting around the front door of a crumbling stone house. There were five of them, most of the current full-time population, they told us rather mournfully.

The village of Metochi is not in such bad shape, not as long as an essential road cuts through it. It wasn’t vibrant and yet we liked its wound-down appeal, its solitude, the view, and no-one bothered us at all, apart from one village gossip. She regularly passed by on the road and one day stopped to ask a slew of personal questions, as Greeks often do, including how much we were renting the villa for because her daughter also had one to rent nearby if we were interested. Cheeky!

Greek rural villages at least are a world apart, whether they buzz or not. When you plan to live in one for any length of time you have to navigated them thoughtfully and choose wisely. Too quiet, too noisy, too parochial, or too steeped in difficult history, and you might be in peril.

A view of Megali Mantineia under the northern slopes of the Taygetos mountains in the Mani

The small sign on the main road to Megali Mantineia. It’s all you get. Blink and you’ll miss it! 

When we settled in the Mani, southern Peloponnese, in 2010, for our long Greek odyssey, we picked a hillside village that felt remote, with the Taygetos mountains as its backdrop, but in fact was only a 15-minute drive to the outskirts of Kalamata at the head of the Gulf of Messinia. As it turned out, Megali Mantineia was perfect for us and our crazy Jack Russell Wallace, a type of dog that none of the villagers had seen before and thought resembled a small goat – and he often acted like one!

Megali Mantineia is a successful working village where locals still cultivate their vast olive groves and herd goats. We decided the best way to live there was to befriend Greek villagers rather than cultivate the British expats because we didn’t want to live an expat life. Not that trying to fit into any village as a foreigner is easy. It’s not. Had I not spoken reasonable Greek from a long association with the country and endless Greek language classes, I would have found it more difficult, as few of the villagers spoke much English. I quickly learnt the secret of fitting in was simple: go well beyond your comfort zone and leave all your preconceptions about life, up to a point, behind you.

Foteini, thrilled to have a copy of my first memoir which features her, and donkey Riko, on the cover

Riko grazing outside Foteini’s farm compound 

When we first met the goat farmer Foteini – who features in my three Greek memoirs – she was riding into the village on her donkey. Conversing was a challenge as she spoke a heavy mountain dialect and things could easily have gone nowhere. But there was something so unique about her that Jim and I instantly took to her and when she invited us back to her farm compound (a place of rural junk and manic disorder) we never thought twice about it really. And so a strange and unusual friendship flourished, particularly between myself and Foteini. She certainly trounced all my personal preconceptions and, in her way, became a very unlikely muse. Our regular, generally very funny, interactions sparked my journalistic curiosity and inspired me to write the memoirs. How could I not? Fate had cast her on my path, on the very first day in the village.

Some of the villagers and priests from Megali Mantineia on a special feast day. Jim standing in back row, right 

Since my first memoir, Things Can Only Get Feta, was published in 2013, readers have contacted me to confess they want their own Greek odyssey, which is lovely, and have asked for advice. I don’t have much really except for this: learn some Greek, talk to everyone. Go beyond what’s comfortable and take part in all the village celebrations (there are many during the year), and church services too because this is the best way to see Greeks as they really are. It’s a window into their society and shows villagers that you respect this, and their culture, and you’re not in the village just to have a remote, parallel life to them.

Before we finally returned to Britain, for personal reasons, we invited many of the villagers from Megali Mantineia to a farewell meal at one of the local tavernas. It was a bitter/sweet night and very sad to say goodbye at last. Everyone lined up to kiss us farewell, some bringing small gifts. One of the women, Voula, whom I’d also become fond of, hugged me and announced: “You’re one of us now Margarita (the name Foteini had given me). You’re a Maniatissa.” Maniatissa is the Greek word for a woman of the Mani. It was humbling to get the title; far better than a Queen’s honour.

Navigating the cultural terrain of a Greek village isn’t easy. It requires more of you than you sometimes want to give. But in the end, it offers you life experiences and insights you will struggle to find elsewhere.

Greek book offer

If you want to read more about life, drama and romance in Greek villages, my first novel A Saint For The Summer is currently on an Amazon ebook promo, 99p/99c (UK/US) from August 16 to 23. It’s a tale or heroism, faith and love with a narrative thread back to WW2 and set in the wild Mani region of Greece. One reviewer described it as: “An excellent read. I was hooked from the first page.” Another said: “The story made me laugh, made me think and made me cry a little.”

Link: https://bookgoodies.com/a/B07B4K34TV

If you have read any of my books and liked them, please think of leaving a small review on Amazon. It will be gratefully received. Thanks.

For more information about all the books please visit the books page on our website www.bigfatgreekodyssey.com

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Wild woman of the Mani . . .

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Readers have made a pilgrimage to a Mani village to see the unique farmer, Foteini

AFTER my three travel memoirs were published from 2013, readers have been in touch to say they visited the locations featured in the books. Many have made it up to the hillside village of Megali Mantineia, in the Mani, where the first book (Things Can Only Get Feta) was set, and mainly in search of the inimitable goat farmer Foteini.

This unassuming rural woman, whom I met at the very beginning of our odyssey on a village road, seems to have struck a chord with many readers, as she has with me. Perhaps it’s her struggle to survive a tough farming life on her own, made harsher still by the Greek economic crisis. It is also, I suspect, her endearing eccentricities, her tendency to wear mismatched layers of clothing and oversized hats, shoes that look like Cornish pasties, and her odd habits, like washing skinned bananas before she eats them.

I recently called one of my favourite friends from the village, the lovely Stavroula (Voula), who lives near Foteini but unlike her, usually answers her village phone. Voula and I hadn’t spoken for a while and at first she thought I must be in Greece. She got excited at the prospect of a visit. When I told her I was in England she shouted vibrantly down the phone: “Well, when are you coming back here? We’ve missed you!”

It’s the quality I most love about rural Greeks, the fact that when they warm to you they are inclusive and caring. Their interest in you is like a big, delicious hug, and is irresistible.

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Marjory riding Foteini’s beloved donkey Riko

I was told that all was well in the village and everyone was surviving the crisis, which was good news. The only recent news I could glean of Foteini, however, was that her beloved old donkey Riko, which I rode on my last odyssey in Greece (from 2014 to 2015), has been pensioned out to pastures sweeter and a new beast has taken his place, as Foteini uses her donkeys for her rural work. Riko was a gentle, stoical creature and he made an appearance in all my travel memoirs.

Foteini, however, continues to attract readers to the village. One American Facebook friend told me she went to the village just to find her and was ecstatic when she did, but was then very put out when Foteini rather stubbornly wouldn’t agree to a photo session beside the donkey.

Some readers have told me they have also gone in pursuit of Foteini, waving a copy of Things Can Only Get Feta, which features Foteini and Riko on the cover illustration, which must have amused her, or maybe terrified her perhaps, I can’t tell which. Some have bravely angled for a coffee in her ramshackle ktima, farm compound, which I wrote about at length, but no-one has pulled it off yet, I think. I am left amazed at so many sightings of Foteini when I had always thought of her as somewhat shy!

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The village of Megali Mantineia beside the Taygetos mountains where we spent the first year of our odyssey

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The church dedicated to the Virgin Mary, in the village

One reader called John recently sent me a long email telling me about his summer visit to Megali Mantineia. He was thrilled to drive along the main village road and find Foteini walking along it with Riko loaded up with wood. John told me that he stopped the car and jumped out, waving Feta, and shouting ‘Good morning’ in his best learner’s Greek.

“She came up to me and put her hand on my shoulder and spoke for about 20 seconds…,” he explained, “though I honestly couldn’t recognise one Greek word. Then she placed one of her big bronze-like hands on my hand. What an amazing experience. To most people this would probably not mean much, but to me it meant a lot. I asked Foteini if I could take her picture alongside Riko and she said ‘yes’. I was totally amazed. It was brilliant. My wife, who hadn’t read Feta at that point, said to me, ‘This has made your holiday, hasn’t it?’ And to be honest, it really had.”

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Foteini uses her donkey Riko to transport firewood. Stacking it on a donkey is something of a rural art 

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At Foteini’s farm there is ingenious  plumbing like this hosepipe and a soap holder fashioned from a sawn-off bottle

Recently in East Sussex I was invited to give some talks about my time in Greece at local book groups. I was not surprised to find that it was not Greece in crisis, or the recklessness of Jim and me – and crazy Wallace the dog – going on a mid-life odyssey that piqued their interest so much, but Foteini. They wanted to know all about her: how she lived, what her house was like, and about her outrageous horticultural couture. I passed around photos of her and the village and they were pored over. I imagine the women of peaceful, retiring Sussex have never come across anyone quite like her. Neither had I when we first started our Greek odyssey in 2010 in the remote southern Peloponnese.

Foteini became the most unlikely creative muse for me. From the moment I saw her riding Riko on that village road in 2010, wearing a massive straw hat, her donkey loaded up with ‘half a house’, she stirred my journalistic interest, initially, with her “promise of authenticity, tinged with craziness” as I wrote in Feta. It was Foteini who talked us into renting the small stone house we’d just viewed in the village. We dithered over it for many reasons. She merely said: “But why wouldn’t you take it?” Great journeys can start on such simple promptings as this. It was she who first christened me Margarita, a name that has stuck with me in Greece. But it was also her character that drew me to her, and against the odds, even with my rusty Greek language skills, she and I began the most unusual, and challenging, of friendships, which I described in the books.

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Sweet and lovely Voula from the village, giving Marjory a hug

Foteini was not the only villager, however, who we came to love during our time in the Mani, which stretched to three years. There were other Greeks who became an indelible part of our lives, especially dark-haired, gregarious Voula, whom I have already mentioned, and her lovely mother, Nikoletta. When the pair sat side by side, they were like “two voluptuous bookends”. I wrote about them both in my first two books, where I had called them Eftihia and Pelagia, though sadly, Nikoletta passed away in 2012, which was a great loss to the village. There were also many other characters: Voula’s brother Yiorgos, locals who ran the kafeneio and tavernas, the  farmer with the Paul Newman eyes, the ever gracious Leonidas. Yet still people contact me about Foteini (not her real name, by the way).

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Giving Foteini a copy of Feta

When I first gave her a copy of the book on a visit in 2014, she grabbed it in her big meaty hands, turning it this way and that, with a look of wonder. Having anything published is an incomparable experience, but watching Foteini gripping her copy of Feta, a book she inspired in so many ways, ranks as one of the most satisfying moments of my life.

*   *   *   *  *

Riding Riko

When I had the mad urge to ride Foteini’s donkey Riko along the village road from her ktima, it took a bit of persuasion. Jim also needed a bit of prompting too, as I described in this extract from my third memoir, A Scorpion In The Lemon Tree:

“Foteini stared at me hard. ‘You want to ride Riko, on the road? Out there?’

‘Yes, just for 10 minutes. You know I won’t let anything happen to him.’

She scratched at her face, worrying a curly grey hair hanging from her chin.

‘You’d be careful wouldn’t you, koritsara mou? (My girl).’

‘Yes, of course, I will,’ I said, wondering if she felt this nervous when she took him out on the road, or did I just seem like a total rookie.

Jim was watching me with narrowed eyes. ‘What’s going on? I’m having a Greek breakthrough moment. I’m making out words and I’m not well pleased.’

‘I’ve asked Foteini if I can take Riko along the road for a ride.’

‘Oh, no way! You know how people drive in the Mani. A car will hit you both.’

‘Shhh! Stop fussing. Can a woman not have a moment of madness in her life?’ I said, remembering Zorba the Greek’s famous appeal for getting in touch with your inner rebel.

Jim shook his head. ‘Margarita, you have not been a woman bereft of mad moments, I seem to recall.’

‘I won’t be long, I promise.’

‘Okay. Margarita mou,’ Foteini said at last as she led the donkey through the main gate. She handed me the lead rope, which was all I had for reins, and for a crop, she gave me a thin piece of whittled olive wood.

‘Take him,’ she said. ‘You’re always giving me things. This is my gift to you. Enjoy it. And don’t be long.’

I brushed my legs over Riko’s sides to move him quickly down the road. As I went I could hear Foteini and Jim grumbling together, and Wallace whining. It was like a Greek chorus.”

© Marjory McGinn

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January Promo

My second memoir, Amazon best-seller Homer’s Where The Heart Is, which continues the story of our three years in the Mani, is currently on an Amazon Kindle promo for the rest of January at 99p (UK only). To buy, click the link: http://www.amazon.co.uk/dp/B00WEC7YCY

For more information about this book and the two others in the series, including the latest, A Scorpion In The Lemon Tree, go to the books page on the website www.bigfatgreekodyssey.com or the books page on Facebook www.facebook.com/ThingsCanOnlyGetFeta

The latest is on all Amazon sites:

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