On the Poldark trail . . .

AS someone with a healthy obsession for the Poldark phenomenon, I recently travelled to Cornwall, where this historic tale was spawned, to get a better handle on the whole thing, and to see if this wild outpost was now awash with Poldark ambience. Would I meet rural folk lugging scythes and imploring me to “have a care!”. Or find that the famous Cornish pasty is now shaped like a tricorn hat? Or would I spy Aidan Turner (who plays Ross Poldark) walking down the street wearing one – the hat, not the Cornish pasty, silly! Most women apparently would rather see him wearing only the hat, but that’s another story!

What I did find on my travels, however, were some fascinating snippets relating to the creation of the Poldark book saga and the wonderful TV series, returning this Sunday (series 4) on BBC1. I discovered that the creator of the Poldark books, Winston Graham, had another family name in mind originally for his 18th-century hero – an outrageous idea! I discovered also where actor Aidan Turner likes to stay when he’s filming at Charlestown, near St Austell, and what the hotel staff had to say about him. And I found out what happened in southern Cornwall when the film crew clashed with an irate resident. More of all that later.

An iconic image, Holywell beach with Gull Rock at low tide

Porthcurno beach, one of the locations representing Nampara Cove 

What I mostly found while travelling around this luscious county was that Cornwall is most definitely the biggest star of the TV series which also has Eleanor Tomlinson, as the feisty Demelza. My partner in odysseys big and small, Jim, and I had gone to Cornwell in search of the locations from the show – the wild romantic clifftops that are momentous even without Turner in his tricorn galloping Seamus in a flat race, close to the edge; the long sandy beaches, like Holywell and Porthcurno, and also locations on the north coast that inspired Winston Graham’s 12-novel saga which he started in the 1940s.

Moody Charlestown and a Tall Ship

We wanted to see the locations that feature so iconically, like historic Charlestown harbour near St Austell, with its Tall Ships, that is possibly the most Poldarkian of locations. This harbour is used for many of the scenes of old Truro in the TV series.

Most of the main locations, however, are in the southwest and north coasts and can easily be covered in a couple of days. Porthcurno’s wide sandy beach in the southwest is an awesome location and is used for many of the shots of the fictitious Nampara Cove, close to where Ross and Demelza have their farmhouse. This is also a favourite site in the TV series for the pair to have a romantic wander or for the often hot-headed Ross to outrun his constant frustrations with 18th century life in Cornwall. Nearby is the narrow cove of Porthgwarra, where a lot of the fishing scenes were shot for the series.

Narrow Porthgwarra cove without the sets from the series, used to create a typical Cornish fishing hamlet

A wild sea at Porthcurno

At Porthcurno there’s also a museum, though not a Poldark museum, but the assistants are knowledgeable about the film shoots and have met a lot of the crew. One very affable assistant told us that Turner was a lovely fellow and although as Ross Poldark he has a lot of swagger, in real life, we were told, he’s quite different. He’s still got that Irish charm but he’s also the kind of guy who likes to keep himself to himself; a bit reserved, surprisingly.

During filming, we were told, one of the residents of the nearby hamlet was annoyed at finding the crew blocking the entrance to his front garden, while filming, while he had to wait on the sidelines, kicking up the turf. Perhaps he was one of the few residents in the area without a passion for Poldark. It was Turner, when he heard about the guy’s complaints who went back later to give him a signed copy of a newly published coffee table edition of the book Poldark’s Cornwall as a goodwill gesture. A fitting present really, as Turner has made no secret of his love for this county. “It’s simply stunning,” he has said. “It reminds me of home, in Ireland.”

The Cornwall Hotel, near St Austell

We based ourselves for our trip at the Cornwall Hotel in St Austell www.thecornwall.com which was once a private mansion with sprawling grounds and a laid-back ambience. It’s also where some of the stars stay when filming at nearby Charlestown, including Turner. He stays in one of the suites, and having been sworn to secrecy, I can’t reveal which one. A friendly hotel receptionist did admit, however, that Turner, true to form, prefers to keep a low profile and takes breakfast in his suite. When he calls for room service the housemaids apparently champ at the bit to see who can deliver breakfast to the suite. She also told us how on one occasion, when a few of the cast were staying, Turner and Tomlinson breezed into reception after a day’s shoot in full period costume. “That really caused a buzz in the hotel,” the receptionist said.

Marjory in the tiny Demelza hamlet near Bodmin

Both Turner, and Tomlinson, who is described as “absolutely stunning” in real life, are now like royalty in this county and it’s easy to understand why. Everyone seems to have their own take on the Poldark phenomenon. There’s even a tiny hamlet between Roche and Bodmin called Demelza, and while it’s tempting to think it was renamed perhaps in memory of the Poldark creations, in fact Graham had visited this tiny place in the 1940s  and liked the name (meaning ‘Thy sweetness’) so much, he gave it to his heroine.

Mousehole on the south coast could easily have been a film location

We stopped briefly at the lovely fishing village of Mousehole (pronounced Mousell), south of Penzance. There’s no connection to Poldark but it’s one of the loveliest villages in south Cornwall with a wide harbour. Land’s End sadly felt like a Disney theme park, where tourists were jostling for a place in front of the famous signpost (John ‘O Groats one way, New York the other) to take selfies, most of which were comically ruined by a horrible hoolie blowing in from the sea that made your hair shoot skywards – a Cornwall quirk. We didn’t hang about but headed north to the Tin Coast where once was located some of the biggest tin and copper mines in Cornwall. Although derelict, parts of the old stone mining buildings feature as Wheal Leisure and Grambler mines in the TV series.

Botallack mine, one of the most recognisable Poldark locations

The Botallack coastline with its wild gorsey cliff tops

The mine we visited was Botallack and although mines hadn’t been high on our wish list to start with and we were pushed for time, we were glad we’d made the effort. With few people about, even on a bright sunny day, this turned out to be one of the most memorable locations on our trip: a deserted, ravishing coastline with a big sea worrying the sheer cliff face, and an old mine building below, perched on a rock platform next to the water. Mining was the lifeblood of Cornwall once and is intrinsic to the narrative of Graham’s books, with its drama, plotting, tragedy and success. So it stands to reason you have to see one of these sites.

From here, the drive north to St Ives was equally stunning through rough, wild moorland dotted with farms without boundaries so that signs warn you of livestock wandering across the main road. At times I was reminded of the unstructured west coast of Scotland and Ireland.

Marjory on misty Perranporth beach walking the same path that   Winston Graham took each day to his writer’s cottage

On the north coast, just before Newquay, we stopped at the town of Perranporth, where some of the beach shots for the series are filmed. But mostly, this town is now famous because it was here that Winston Graham penned the early Poldark books. Although born in Manchester in 1908, Graham moved here as a youth, married a local girl, Jean (thought to be the inspiration for Demelza), and made it his home for 34 years, mainly in the nearby hamlet of Treslow. It was here after the Second World War that he wrote the first books in the Poldark saga, drawing inspiration from the town and most of all the beautiful beaches along this coast, which he adored.

The Winston Graham collection at the museum in Perranporth

Graham’s map of the fictitious Nampara inspired by Perranporth

The town itself is a small one with a fishing and farming background and now typical of many seaside towns in Britain, but what makes this place special is its location right beside one of the best beaches along this coast. For me its great attraction was the fascinating Perranzabuloe (meaning Perran in the Sands) Museum on Ponsmere Road which has, apart from a cracking local history section, a small Winston Graham collection with some first edition books, photos, scripts, and even his old brown hat. One of the attendants, a charming pensioner called Pat Treweek, and a real Cornish character with a plethora of local tales, gave us her own impressions of the writer whom she remembered seeing often when she was a young woman.

“One of Winston’s family had a draper’s store in the town so he was often seen there and walking around the town. He regularly went walking on the beach. He was a lovely man, very friendly,” she said.

In fact, in the 1940s, Graham walked the length of Perranporth beach every day, up to the sand dunes and a place known as Flat Rocks, where he had rented an old miner’s cottage so he could do his writing undisturbed. Although he had already written several books before the war, it was here he penned the first Poldark books.

Pat told us that Graham hadn’t always intended to use the name Poldark for the books. Originally, he favoured the surname Polgreen, after a local friend, Ridley Polgreen, whom the author much admired, though the character of Ross was never based on him. Later, Graham decided the surname was too gentle for the turbulent narratives he had in mind. He needed something more formidable, so changed it to Poldark, a totally fictitious name. We’re forever grateful he did. Polgreen wouldn’t have had the same creative thrust, I feel.

Winston Graham memorial seat overlooking Perranporth beach

Pat urged us to cross the beach afterwards and take the cliffside path to the grassy plateau, where Graham’s old cottage used to stand. Incredibly, there is not a thing left of it now after it burnt down in the 1980s. All that remains is a commemorative stone bench with his name carved on the side. A lovely gesture but a modest reminder of someone whom I believe ranks as one of the best storytellers of last century. The scope of his Poldark books, the characterisation and social comment are on a par, I feel, with some of Dickens’ works, and certainly some of Graham’s later suspense novels, like Marnie (turned into a film by Alfred Hitchcock), are also notable.

But sitting at that deserted spot with the wide sandy beach spread before us, and a misty headland glowering in the distance, I felt there couldn’t have been a more heavenly place for writing, and it was easy to understand why Graham’s books are so emotive, and why he adored Cornwall. “I love the smell of the air, the sound of the real Cornish voices, the bleakness of the cliffs and, of course, the beach,” he once said.

Visit the Perranzabuloe Museum

Gull Rock at Holywell beach

Nearby Holywell beach inspired him too, and it was one of the best beaches we’d seen anywhere: a wide sandy expanse, dark cliffs at the far end and the cave that’s supposed to contain the Holy Well that features in the series, where the young lovers Blake and Morwenna make a romantic wish. It’s also one of the beaches used for Turner’s mad gallops on Seamus and apparently he rarely uses a stunt double.

There are more locations in Cornwall to see, depending on how much time you have. Bodmin moor is worth a long visit just for its wild beauty but it also has the actual house used for Nampara in the series, near the village of St Breward, though I hear it’s difficult to find.

Truro Cathedral, an historic remnant of  the old town

The one small disappointment of our trip was Truro, for the simple reason that although it’s pivotal to the Poldark saga, there is little of the historic town left, apart from some old streets around lovely Truro Cathedral. The pub that inspired the Red Lion, across from the cathedral, where so much of the action of the books takes place, all the planning and plotting and mining business, is no longer there, unfortunately.

There are plenty of other reasons to go to Cornwall but for many people, for now, it is intrinsically linked with Poldark and particularly the TV series. Aidan Turner on a TV chat show recently laughed when he admitted that his face is everywhere in Cornwall now, “on tea towels and mugs”! But not the Cornish pasty – for now. The recognition is no bad thing for Turner, or for Cornwall. The fact that the Poldark legend is now synonymous with Cornwall would have delighted Winston Graham. His beloved writer’s cottage on Flat Rocks is long gone but his love affair with Cornwall will be appreciated forever. And I can’t say we were delighted when our Poldark jaunt came to an end.

  • The Cornwall Tourist board www.cornwall.com/poldark has information packs about the 20 or so main locations.
  • Information about Winston Graham www.winstongraham.org
  • The small museum at Lostwithiel, north of St Austell, which was once the capital of this county, is also worth a look and has wonderful collection of historic memorabilia including a bizarre set of old medical equipment. www.lostwithielmuseum.org

NEW GREEK NOVEL

My latest novel, A Saint For The Summer, set in southern Greece, is a contemporary novel and a romance but with a World War II mystery concerning the infamous Battle of Kalamata (Greece’s Dunkirk).

Read an interview about the book, writing and Greece on the Ramblings From Rhodes website.

It was also recently the subject of an interview in the Greek newspaper Eleftheria. Here’s a link for Greek readers and a translation will shortly be put up on a new section of the website called ‘Interviews’.

The book is available on all Amazon sites, Barnes and Noble, the Public stores in Greece. Reviews are most welcome.

For more information please check the books page on the website.

Comments on the blog are very welcome. Thanks for calling by.

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Scotland’s role in an Elgin Marbles mystery …

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Broomhall House in Fife, historic home of the Earls of Elgin

I AM standing within sight of Broomhall House in central Scotland on a bitterly cold day and marvelling at how this grey, slightly dour stately home has been at the centre of one of the most heated cultural debates of modern times.

This is the house built by Thomas Bruce, the 7th Earl of Elgin, which he planned to adorn with his vast heist of Parthenon sculptures, and other antiquities that are now known as the Elgin Marbles. It amounted to some 220 tonnes and nearly half of what the Parthenon was decorated with up to the late 18th century, as well as other significant items from the Acropolis and other sites around Athens.

Broomhall House, near the village of Charlestown, Fife, is fenced off to the public, so you can’t get too close, yet even from a distance the house seems vast: a huge frontage, Grecian-style columns at the entrance, large windows, but Downton Abbey it is not!

And so I find it hard to fathom the aristocratic folly of Lord Elgin, or the hubris in wanting to hack apart some of Greece’s great cultural achievements, just to impart Grecian splendour to rural Scotland. The plan failed, as we know, yet the house has become home to some of  Lord Elgin’s antiquities at least. Though which ones exactly is still a bit of a mystery.

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Marjory in front of Broomhall House, the centre of a cultural debate

In the late 18th century, Lord Elgin was British Ambassador to the Ottoman Empire, which ruled Greece at the time, where he got permission to remove some items from the Parthenon by using what is now considered to be a dodgy ‘firman’, official authorisation. In the end he took as much as he could, also by bribing workers on the Acropolis to help in the removal.

It was all bound for Broomhall House, and much of this was financed by his wealthy Scottish heiress wife, Mary Nisbet. What he mainly took was nearly half the frieze from the Parthenon, which depicts a religious procession, as well as some carved metopes from above the columns and 17 stunning life-sized statues from the gable ends, depicting scenes from Greek mythology. He also took a huge amount of objects, plundered from ancient Athenian burial sites and the graves of prestigious Athenians, and other Acropolis temples.

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Copy of the horse of Selene on the east pediment of the Parthenon

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The top of the Parthenon was once decorated with carved metopes, and sculptures on the gable ends

Lord Elgin arrived back in Britain in ill health, due to syphilis. He was about to be divorced by his wealthy wife, and he was also broke. He ended up having to sell the Marbles to the British Museum for £35,000, half what he wanted.

His justification for his heist was to preserve the items for posterity because the Acropolis by the 18th century had become a seedy garrison, with Turkish soldiers using the antiquities for target practice. Yet the Marbles, after being shipped from Athens, had a worse fate, being stored in a damp shed in central London for years and later said to be over-cleaned and bleached by over-zealous BM staff.

Greeks have been campaigning for years for the return of the Marbles, especially since the elite Acropolis Museum has a top floor gallery specially designed to house them in their original positions. There has also been a groundswell of international support, especially as celebrities come on board, like actor George Clooney, who made a recent plea on the subject while promoting his latest film about art theft, The Monuments Men.

And the collection of overlooked antiquities in Broomhall House would be welcome in Greece as well. These were items that Lord Elgin squirreled away here after the BM rejected them as too small, damaged or insignificant and are said to include some steles (grave markers) and pieces of sculpture. Not that you will ever see them because the house is not open to the public.

I rang the Edinburgh property management company that handles inquiries about the house, to request a comment from the current Elgin family about their collection of antiquities, and possibly as visit to the house. All the voicemail messages I left went unanswered. When I eventually tracked down a phone number for Broomhall House, I was told by a member of staff the family wouldn’t speak about the Marbles under any circumstances.

EarlElginathome

The Earl of Elgin in his study during a rare  magazine interview        

A picture taken in 1998 (above) of the current Earl of Elgin (Andrew Bruce) in his study (courtesy of Freemasonry Today magazine), shows what is believed to be a carved stele and some other items mounted on the wall. Small pickings of course compared to what Elgin looted in the early 1800s, but for Greeks these are significant items.

One local man I spoke to in the nearby village of Limekilns, who asked not to be named, has been inside the house fairly recently, in a professional capacity, and told me there are many pieces lying about.

“They are all around the house, scattered informally like bits of the furniture, but they are quite striking. The Earl of Elgin will give you the history of the items, though I can’t claim to really know their significance. His attitude to them is very relaxed and open because he doesn’t feel he has anything to hide. What he will say is that he agrees with the 7th Lord Elgin in that they were brought to Britain for preservation and that’s what he’s been brought up to think. The Elgin family are very close to the (British) Royal Family and they just have a different way of looking at things,” he said.

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Nearby Limekilns village on the Firth of Forth

Tom Minogue is a crusading retiree from Dunfermline, who grew up near Broomhall House and has been researching and writing about the Marbles for a decade on his blog www.tomminogue.com which has a great deal of interesting material and a history of the Elgin Marbles.

He says: “I believe there could be a lot more of the original pieces inside the house, especially smaller pieces because there was so much material taken from Athens, like funerary urns and items taken from the graves of some of Athens’s greatest heroes.”

Certainly there are antiquities that appear to be unaccounted for. While researching this article, I came across an old library document dated 1810 with an inventory of Elgin’s “Museum” which his collection seems to have originally been called. This inventory predates the list of items presented at a Parliamentary debate in 1816 before the BM sale. Some items on the 1810 list are not in the later one, like a large sarcophagus from an Athens grave site. Also, there are some unique items on the 1816 list that are also unaccounted for, like three ancient cedar wood musical instruments, including a lute, taken from an Athens location. When I rang the BM I was told there was no record of them, or the sacrcophagus. Where are these things now?

Tom Minogue has felt so strongly about the Greek antiquities currently in Broomhall House that he took the unusual step of writing to the police in Fife and London in 2004 and again in 2009 requesting that they investigate the matter, but so far the police haven’t acted on his letters. You can read more about this on Tom’s  website.

There are those who would say it’s not fair to hold the current Earl of Elgin, who fought valiantly at the Normandy landing in 1944 and recently turned 90, responsible for the sins of his forebear. However, with increasing calls for reunification of the Parthenon art works, perhaps it’s the right time for someone else in the family to engage in the argument and at least exonerate Scots from this ‘heist’.

Tom Minogue says: “Scotland’s reputation has become a byword for imperial looting and it is hoped that with the restoration of the Parthenon Marbles, the reputation of Scotland as a compassionate and fair nation would also be restored.”

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A copy of part of the frieze from the original inside ‘cella’ of the Parthenon showing a religious procession

Certainly it’s a sentiment the great philhellene Lord Byron expressed in the early 19th century when he carved onto the side of the Acropolis the Latin for: “What the Goths have spared, the Scots have destroyed.”

Dr Nikolaos Chatziandreou is a Greek research scientist and cultural resource manager who also runs the very informative website www.AcropolisofAthens.gr. He spent several years studying at St Andrews University, Scotland, and is one of the main campaigners for the reunification of the Sculptures. He thinks that Scotland can play a catalytic role in this regard because the Scots can relate with the issue in yet another dimension.

He draws a poignant link between Scotland and Greece, between the historic struggle for the return of the Stone of Scone, once used for the coronation of Scottish monarchs, and the quest to reunite the pieces of the Acropolis to “restore conceptually the symbol of democracy”.

“The Acropolis sculptures are to the Greeks what the Stone of Scone is to the Scots. It is this strong historic, symbolic, emotional link between ourselves and pieces of heritage that help us define our life experience and sense of self […] Is it a coincidence the Stone of Scone is also called the Stone of Destiny? When it comes to the sculptures of the Acropolis, whose destiny should we see in them?” says Dr Chatziandreou.

The Scottish Stone of Destiny eventually went back home. What about the Marbles? I hope the guy at Limekilns isn’t right when he says the attitude of the Elgins was one of “finders, keepers”. The same could easily be said for the BM and the current British Government.

* To read a more detailed account of why the Scots are uniquely placed to lead the return of the Parthenon Sculptures, click this link http://www.acropolisofathens.gr/aoa/reuniting-the-sculptures/a-plea-for-support-from-the-scots/

For information about the new Acropolis Museum www.theacropolismuseum.gr

Books about living in Greece

For more details about my travel memoirs, Things Can Only Get Feta and Homer’s Where the Heart Is based on three years living in the Mani, southern Greece during the crisis, visit the ‘books’ page on my website www.bigfatgreekodyssey.com

Both books are available on all Amazon’s international sites and also on the Book Depository www.bookdepository.com (with free overseas postage).

To buy either of my books please click on the Amazon links below:

Things Can Only Get Feta

Homer’s Where The Heart Is

You can also find me on Twitter @fatgreekodyssey

And Facebook www.facebook.com/ThingsCanOnlyGetFeta

www.facebook.com/HomersWhereTheHeartIs

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