Have the wheels come off Greece in crisis?

The wreck with no wheels in the Monastiraki flea market is a poignant but spirited symbol of Greece in crisis

WE hadn’t been to Athens since 2012, at the worst point in the Greek crisis, when the city was teetering on the edge of disaster, with austerity, demonstrations and social unrest. I wondered how it would seem now and if the indelible Greek spirit would be trashed, as some reports have led us to believe. But in a narrow street in the Plaka, just under the Acropolis, we saw the kind of feisty, maverick attitude that we have come to expect of Greeks, and admire. It involved a woman driver.

Greek motorists seem to have lost none of their desire to park ‘creatively’, where they please, whether it’s over pedestrian crossings or on pavements, or up trees, if it were at all possible. Outside a popular taverna on an intersection, a policeman was writing a ticket for a car parked completely over the corner of the pavement, blocking the way for pedestrians. What followed was a spirited exchange after the woman driver rushed out of a nearby shop to fight with the young cop (not a traffic warden but a fully equipped cop with ‘astinomia’, police, written on his jacket). She had a stream of excuses for the perilous parking – but he wasn’t having any of it. The parking, he told her, was illegal, and that was it. She started yelling back at him. He told her not to shout. People began to mill about, watching. Outside diners also stopped eating to check out the dispute that went on long after the parking ticket was written and handed over with a flourish.

I marvelled that crazy parking was still a sight in Greek cities (it’s notorious in Kalamata in the southern Peloponnese), despite all the new restrictions and the soul-searching of the crisis. I was also impressed at the woman’s aggressive front with the cop. You don’t see it often in Britain, where you’d probably be arrested for causing an affray or some such thing.

View over the rooftops of the Plaka towards Lykavetos hill

 

Athens, and indeed much of Greece, is now showing signs of crisis fatigue, it’s true, and anger as well. The streets of downtown Athens have a skint, neglected aura about them. There’s still graffiti gashed over buildings and while it’s often an arty emblem of the recent troubles, in other cases it’s downright ugly, especially scrawled over some of the old classical houses, as we saw in the Plaka, that don’t deserve angry art. There are more migrants about, that’s true, and people are still begging, which is sad, though no different from any other major city. What made it exceptional here was the number of older women we saw begging and holding up cardboard signs. One said, “I am a Greek woman and I am living in poverty. Help me.”

Graffiti art or just vandalism on an arty scale?

We heard tales of stress and frustration from shopkeepers and from friends who live and work in Athens, that the crisis has hammered their businesses, with endless taxes and cuts to wages etc, despite what the international media might say. I told an Athenian friend, who has his own business, that we had read reports in British papers that the Greek economy was finally improving and Greece was “turning a corner”. “Yeah,” he said, “turning a corner into a gremos (ravine)!”

A restored iconostasis, church screen, in the Byzantine museum 

But the Greek establishment is still showing stoicism and a ‘business as usual’ attitude in the face of hardships, and has not stinted on cultural events/concerts/exhibitions in Athens. The museums are absurdly well managed and serene and among the best in the world, surely, which is an enormous feat in troubled times. The Acropolis Museum remains one of my favourites for its sheer beauty and serenity on the  elegant pedestrian walkway, Dionisou Areopagitou. The museum has a cathedral calm  inside. On one floor is a dazzling display of Athenian sculptures of young men and women like the almost perfect Peplophorus (530BC) with her braided hair and shoulder brooches.

The Parthenon Sculptures from the pediments of the building, and the Metope panels are arranged on the top floor, the few that were left after Lord Elgin’s infamous heist, and which are not now languishing in the British museum. The Byzantine Museum is often overlooked but is inspirational, with its early Christian artifacts and wealth of Byzantine icons. The only complaint was that there was just too much splendour for one visit and it will need another.

One of the narrow streets of the Plaka with the Acropolis above

I have always loved Athens from my first visit there in the 1970s on a working holiday. The city had a vastly different vibe then, of course, an exotic Greek and levantine mix which I wrote about in my second travel memoir, Homer’s Where The Heart Is. Syntagma Square was then a sociable meeting place in the city, a tree-lined space with outdoor cafes. Once the heart of this city, it has sadly become, because of the years of crisis and violent demonstrations, the focal point of discontent, understandably so, as it’s situated opposite the Parliament building. But the rage somehow lingers, or perhaps it’s just the maelstrom of humanity going in and out of the metro station, or just loitering about, that makes it feel edgy and it’s true to say it’s not everyone’s favourite haunt in the city.

Further down towards the ancient Agora lies Monastiraki. This also had a different vibe once; a colourful place full of traditional craftsmen and a far cry from the tourist hub it is today, with a slew of shops selling Greek goods, mostly made elsewhere. But it’s entertaining and there are still a few old shops left, like the wonderful old bouzouki shop on the main street.

 

Chairmen: Repairing rush-bottomed chairs in the flea market

The flea market here is worth a visit. Like a frenetic version of Steptoe and Son’s yard, without the knackered horse and cart, it teems with junk and the odd treasure, if you’ve time to sift through all the gaudy stuff first. More interestingly, amid all the tat, people are beavering away. We saw two guys with hands like grappling irons repairing rush-bottomed chairs with lengths of dried rushes, and it was no easy job, judging by the sweaty gleam of their foreheads, but it was fascinating to watch.

The ancient Tower of the Winds

Plaka is a place where the ancient rubs shoulders with the slightly more modern – the Byzantine

The streets of the Plaka are still worth a few hours of wandering about for their sheer eclectic mix of ancient sites (like the Tower of the Winds), Byzantine churches, classical houses and coffee shops. There are only a few traditional shops now selling more authentic local goods here but one small gallery at least sparkles with stylish Greek pieces, like small painted shutters with an olive motif, for wall mounting. The Tsolias Art Gallery is run by a genial, chatty guy called Michael Tsipa who, together with his wife Maria, design and make all the artworks.

Due to a slow morning, he was more than happy to talk about Athens and the crisis, and came out of the shop with us to bid us farewell, which was a refreshing change from my shopping encounter a half-hour earlier with the old crone of a proprietor outrside one of the gaudier knick-knack shops not far away. With the pretence of a welcoming handshake, she grabbed my hand with the speed of a black widow spider and tried to haul me into her cluttered lair, and I couldn’t shake her off and had to shout loudly like the woman receiving a parking ticket. What the shopkeeper had in mind for me is anyone’s guess, probably a blue and white cheesecloth shirt circa 1975 and a bust of Pericles in faux marble.

The view of the Parthenon from the roof garden of the Herodion hotel

But despite the pockets of stress and tat, Athens is still a fabulous city and still has a strong community heart. From the dining room of our comfortable hotel, the Herodion in the Plaka, where the breakfast banter was supplied mostly by loquacious Americans swapping notes on the day’s proposed itineraries (bless them!), or in the case of one guy, reading out unremarkable morning emails from his tablet for the benefit of everyone in the dining room, I caught a glimpse each day from our street-facing table of a small coffee shop, one of the many that have mushroomed no doubt during the crisis. It was nothing more than a wedge of paved land at the end of a row of apartment buildings with a small ground floor café and a couple of tables outside under the trees.

Every morning a small group of Greek residents of different ages would gather to shoot the breeze and a have a laugh over their tiny cups of Greek coffee. It was a nice little scene and I enjoyed the seeming conviviality of their lives despite the gloom of their economics. From all the years I have been visiting Athens, I have found this aspect of the Greek character comforting, that their joy of life is on the whole irrepressible. I hope that will continue to be the case. And that even though the wheels may be off their cart, they still have the front to park the wreck wherever they please!

  • The Herodion Hotel, Rovertou Galli Street is a friendly hotel near the Plaka with a great dinner menu if you can’t be bothered to trail out for a meal, and hearty breakfasts. There is a great rooftop restaurant/bar operating in the summer season with a view of the Acropolis. www.herodion.gr
  • Tsolia Art Gallery, Kyrristou 17, Plaka (2130 449337)
  • For more information about Athens do check out travel writer Matt Barrett’s city guide http://www.athensguide.com

On a sadder note

It is with great sadness that I have to tell you all that our dear Jack Russell terrier, Wallace, passed away in August, aged 16. He was such a huge presence in our lives and a dear companion, especially during our four years in Greece where he never ceased to entertain us with his crazy antics. He will be sorely missed by Jim and me  but I hope that his memory will live on in my books and continue to entertain readers.

In my next few blogs I will be writing about the rest of our recent trip to Greece: the island of Poros and the southern Peloponnese.

If you have liked any of the books please think of adding a small review on Amazon sites which is always very welcome. Thanks for calling by.

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Scotland’s role in an Elgin Marbles mystery …

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Broomhall House in Fife, historic home of the Earls of Elgin

I AM standing within sight of Broomhall House in central Scotland on a bitterly cold day and marvelling at how this grey, slightly dour stately home has been at the centre of one of the most heated cultural debates of modern times.

This is the house built by Thomas Bruce, the 7th Earl of Elgin, which he planned to adorn with his vast heist of Parthenon sculptures, and other antiquities that are now known as the Elgin Marbles. It amounted to some 220 tonnes and nearly half of what the Parthenon was decorated with up to the late 18th century, as well as other significant items from the Acropolis and other sites around Athens.

Broomhall House, near the village of Charlestown, Fife, is fenced off to the public, so you can’t get too close, yet even from a distance the house seems vast: a huge frontage, Grecian-style columns at the entrance, large windows, but Downton Abbey it is not!

And so I find it hard to fathom the aristocratic folly of Lord Elgin, or the hubris in wanting to hack apart some of Greece’s great cultural achievements, just to impart Grecian splendour to rural Scotland. The plan failed, as we know, yet the house has become home to some of  Lord Elgin’s antiquities at least. Though which ones exactly is still a bit of a mystery.

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Marjory in front of Broomhall House, the centre of a cultural debate

In the late 18th century, Lord Elgin was British Ambassador to the Ottoman Empire, which ruled Greece at the time, where he got permission to remove some items from the Parthenon by using what is now considered to be a dodgy ‘firman’, official authorisation. In the end he took as much as he could, also by bribing workers on the Acropolis to help in the removal.

It was all bound for Broomhall House, and much of this was financed by his wealthy Scottish heiress wife, Mary Nisbet. What he mainly took was nearly half the frieze from the Parthenon, which depicts a religious procession, as well as some carved metopes from above the columns and 17 stunning life-sized statues from the gable ends, depicting scenes from Greek mythology. He also took a huge amount of objects, plundered from ancient Athenian burial sites and the graves of prestigious Athenians, and other Acropolis temples.

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Copy of the horse of Selene on the east pediment of the Parthenon

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The top of the Parthenon was once decorated with carved metopes, and sculptures on the gable ends

Lord Elgin arrived back in Britain in ill health, due to syphilis. He was about to be divorced by his wealthy wife, and he was also broke. He ended up having to sell the Marbles to the British Museum for £35,000, half what he wanted.

His justification for his heist was to preserve the items for posterity because the Acropolis by the 18th century had become a seedy garrison, with Turkish soldiers using the antiquities for target practice. Yet the Marbles, after being shipped from Athens, had a worse fate, being stored in a damp shed in central London for years and later said to be over-cleaned and bleached by over-zealous BM staff.

Greeks have been campaigning for years for the return of the Marbles, especially since the elite Acropolis Museum has a top floor gallery specially designed to house them in their original positions. There has also been a groundswell of international support, especially as celebrities come on board, like actor George Clooney, who made a recent plea on the subject while promoting his latest film about art theft, The Monuments Men.

And the collection of overlooked antiquities in Broomhall House would be welcome in Greece as well. These were items that Lord Elgin squirreled away here after the BM rejected them as too small, damaged or insignificant and are said to include some steles (grave markers) and pieces of sculpture. Not that you will ever see them because the house is not open to the public.

I rang the Edinburgh property management company that handles inquiries about the house, to request a comment from the current Elgin family about their collection of antiquities, and possibly as visit to the house. All the voicemail messages I left went unanswered. When I eventually tracked down a phone number for Broomhall House, I was told by a member of staff the family wouldn’t speak about the Marbles under any circumstances.

EarlElginathome

The Earl of Elgin in his study during a rare  magazine interview        

A picture taken in 1998 (above) of the current Earl of Elgin (Andrew Bruce) in his study (courtesy of Freemasonry Today magazine), shows what is believed to be a carved stele and some other items mounted on the wall. Small pickings of course compared to what Elgin looted in the early 1800s, but for Greeks these are significant items.

One local man I spoke to in the nearby village of Limekilns, who asked not to be named, has been inside the house fairly recently, in a professional capacity, and told me there are many pieces lying about.

“They are all around the house, scattered informally like bits of the furniture, but they are quite striking. The Earl of Elgin will give you the history of the items, though I can’t claim to really know their significance. His attitude to them is very relaxed and open because he doesn’t feel he has anything to hide. What he will say is that he agrees with the 7th Lord Elgin in that they were brought to Britain for preservation and that’s what he’s been brought up to think. The Elgin family are very close to the (British) Royal Family and they just have a different way of looking at things,” he said.

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Nearby Limekilns village on the Firth of Forth

Tom Minogue is a crusading retiree from Dunfermline, who grew up near Broomhall House and has been researching and writing about the Marbles for a decade on his blog www.tomminogue.com which has a great deal of interesting material and a history of the Elgin Marbles.

He says: “I believe there could be a lot more of the original pieces inside the house, especially smaller pieces because there was so much material taken from Athens, like funerary urns and items taken from the graves of some of Athens’s greatest heroes.”

Certainly there are antiquities that appear to be unaccounted for. While researching this article, I came across an old library document dated 1810 with an inventory of Elgin’s “Museum” which his collection seems to have originally been called. This inventory predates the list of items presented at a Parliamentary debate in 1816 before the BM sale. Some items on the 1810 list are not in the later one, like a large sarcophagus from an Athens grave site. Also, there are some unique items on the 1816 list that are also unaccounted for, like three ancient cedar wood musical instruments, including a lute, taken from an Athens location. When I rang the BM I was told there was no record of them, or the sacrcophagus. Where are these things now?

Tom Minogue has felt so strongly about the Greek antiquities currently in Broomhall House that he took the unusual step of writing to the police in Fife and London in 2004 and again in 2009 requesting that they investigate the matter, but so far the police haven’t acted on his letters. You can read more about this on Tom’s  website.

There are those who would say it’s not fair to hold the current Earl of Elgin, who fought valiantly at the Normandy landing in 1944 and recently turned 90, responsible for the sins of his forebear. However, with increasing calls for reunification of the Parthenon art works, perhaps it’s the right time for someone else in the family to engage in the argument and at least exonerate Scots from this ‘heist’.

Tom Minogue says: “Scotland’s reputation has become a byword for imperial looting and it is hoped that with the restoration of the Parthenon Marbles, the reputation of Scotland as a compassionate and fair nation would also be restored.”

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A copy of part of the frieze from the original inside ‘cella’ of the Parthenon showing a religious procession

Certainly it’s a sentiment the great philhellene Lord Byron expressed in the early 19th century when he carved onto the side of the Acropolis the Latin for: “What the Goths have spared, the Scots have destroyed.”

Dr Nikolaos Chatziandreou is a Greek research scientist and cultural resource manager who also runs the very informative website www.AcropolisofAthens.gr. He spent several years studying at St Andrews University, Scotland, and is one of the main campaigners for the reunification of the Sculptures. He thinks that Scotland can play a catalytic role in this regard because the Scots can relate with the issue in yet another dimension.

He draws a poignant link between Scotland and Greece, between the historic struggle for the return of the Stone of Scone, once used for the coronation of Scottish monarchs, and the quest to reunite the pieces of the Acropolis to “restore conceptually the symbol of democracy”.

“The Acropolis sculptures are to the Greeks what the Stone of Scone is to the Scots. It is this strong historic, symbolic, emotional link between ourselves and pieces of heritage that help us define our life experience and sense of self […] Is it a coincidence the Stone of Scone is also called the Stone of Destiny? When it comes to the sculptures of the Acropolis, whose destiny should we see in them?” says Dr Chatziandreou.

The Scottish Stone of Destiny eventually went back home. What about the Marbles? I hope the guy at Limekilns isn’t right when he says the attitude of the Elgins was one of “finders, keepers”. The same could easily be said for the BM and the current British Government.

* To read a more detailed account of why the Scots are uniquely placed to lead the return of the Parthenon Sculptures, click this link http://www.acropolisofathens.gr/aoa/reuniting-the-sculptures/a-plea-for-support-from-the-scots/

For information about the new Acropolis Museum www.theacropolismuseum.gr

Books about living in Greece

For more details about my travel memoirs, Things Can Only Get Feta and Homer’s Where the Heart Is based on three years living in the Mani, southern Greece during the crisis, visit the ‘books’ page on my website www.bigfatgreekodyssey.com

Both books are available on all Amazon’s international sites and also on the Book Depository www.bookdepository.com (with free overseas postage).

To buy either of my books please click on the Amazon links below:

Things Can Only Get Feta

Homer’s Where The Heart Is

You can also find me on Twitter @fatgreekodyssey

And Facebook www.facebook.com/ThingsCanOnlyGetFeta

www.facebook.com/HomersWhereTheHeartIs

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© Text and photographs copyright of the authors 2010 to 2019. No content/text or photographs may be copied from the blog without the prior written permission of the authors. This applies to all posts on the blog.

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